Curator\/ Yu-Chuan Tseng<\/p>\n
Living in the digital age, we are immersed in a theater of interwoven virtuality and reality, in which the relationship among main characters, supporting characters, sceneries and props is always fluid and uncertain, defined by an extendibility stemming from their mutual interpretation. These elements co-construct an indescribable performance of the post-internet era without a clear distinction between the real and the unreal. It\u2019s SHOW time<\/em> discusses the fundamental elements of theatrical performance\u2014people, object, scenery and viewing, utilizing four sub-topics \u2013 \u201cBody System,\u201d \u201cObject Consciousness,\u201d \u201cFluid Scenery\u201d and \u201cInteractive Relation\u201d \u2013 to explore a theater characterized by both virtuality and reality, through which the definitions of people, object, scenery and viewing are all blurred and destabilized. With the interplay and dialectics of virtuality and reality, the featured artists employ entanglement and the dialectic process as strategies to manipulate secondary, random actions or objects previously used as foils to create the stage scenery. By doing so, the artists transform the main and supporting characters as well as the scenery and props, decentralizing the characters, creating actuality that does not equal reality, immersing the viewers in emotions that push them into and beyond the action of viewing while reconstructing our perception and imagination of things.<\/p>\n It is SHOW Time\u300cBody System\u300d<\/strong><\/p>\n In a bodiless state based on the human body as the subject, the disappearing body constitutes fluid \u201cBody System.\u201d \u201cObject Consciousness\u201d reinforces the meaning of narrative, co-creating a stage of fabulation with \u201cFluid Scenery\u201d and \u201cInteractive Relation.\u201d \u201cBody System\u201d discusses the systems of body and object created by messages and symbols that are more real, exploring their varying aspects in the sites of virtuality and reality.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Curator\/ Yu-Chuan Tseng Living in the digital age, we are immersed in a theater of interwoven virtuality and reality, in which the relationship among main characters, supporting characters, sceneries and props is always fluid and uncertain, defined by an extendibility stemming from their mutual interpretation. These elements co-construct an indescribable performance of the post-internet era without a clear distinction between…<\/p>\n","protected":false},"author":4,"featured_media":17066,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[106],"tags":[],"jetpack_featured_media_url":"https:\/\/daguan.com.tw\/en\/wp-content\/uploads\/2019\/09\/7.1080x540-07.jpg","_links":{"self":[{"href":"https:\/\/daguan.com.tw\/en\/wp-json\/wp\/v2\/posts\/1623"}],"collection":[{"href":"https:\/\/daguan.com.tw\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/daguan.com.tw\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/daguan.com.tw\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/daguan.com.tw\/en\/wp-json\/wp\/v2\/comments?post=1623"}],"version-history":[{"count":1,"href":"https:\/\/daguan.com.tw\/en\/wp-json\/wp\/v2\/posts\/1623\/revisions"}],"predecessor-version":[{"id":17067,"href":"https:\/\/daguan.com.tw\/en\/wp-json\/wp\/v2\/posts\/1623\/revisions\/17067"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/daguan.com.tw\/en\/wp-json\/wp\/v2\/media\/17066"}],"wp:attachment":[{"href":"https:\/\/daguan.com.tw\/en\/wp-json\/wp\/v2\/media?parent=1623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/daguan.com.tw\/en\/wp-json\/wp\/v2\/categories?post=1623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/daguan.com.tw\/en\/wp-json\/wp\/v2\/tags?post=1623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}